“The UC4000 delivers exceptional performance in low light, and really enables us to deal with whatever red, green or blue washes the lighting designer calls for,” Kerr noted. “The UC4000 can handle a solid blue wash better than any other camera I’ve ever experienced.”
For the majority of The Ghosts of the Forest’s performances, a staff of only two, working with the two AW-RP150 controllers, was able to manage 10 cameras the (six AW-UE150s, three POV cameras and a locked-off Panasonic AK-UC3000) for live IMAG and the recording of archival video.
“There’s so much functionality with the AW-UE150 and the AW-RP150 controller,” Kerr said. “It was so impressive how we were able to start a move, then transition to another camera, and it was simply remarkable what we could accomplish with only two people.